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キャクホンカ ミズキヨウコ ト エイガ アレ ガ ミナト ノ ヒ ダ
https://shohoku.repo.nii.ac.jp/records/697
https://shohoku.repo.nii.ac.jp/records/6970b7594c9-e9fb-4466-8a17-a59d74f4b2d1
名前 / ファイル | ライセンス | アクション |
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KJ00005656159.pdf (3.3 MB)
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Item type | [ELS]紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2016-11-08 | |||||
タイトル | ||||||
タイトル | 脚本家・水木洋子と映画『あれが港の灯だ』 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Some Essential Features of Yoko Mizuki and the movie "Are ga minato no hi da (That is the port light)" | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 日本映画 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 水木洋子 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 李承晩ライン | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Japanese Film | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Yoko Mizuki | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | the"Rhee Sing Man Line" | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
雑誌書誌ID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN00116727 | |||||
論文名よみ | ||||||
タイトル | キャクホンカ ミズキヨウコ ト エイガ アレ ガ ミナト ノ ヒ ダ | |||||
著者 |
内藤, 寿子
× 内藤, 寿子× Naitou, Hisako |
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著者所属(日) | ||||||
湘北短期大学 | ||||||
著者所属(英) | ||||||
en | ||||||
Shohoku College | ||||||
抄録(日) | ||||||
内容記述タイプ | Other | |||||
内容記述 | 映画『あれは港の灯だ』(今井正監督 水木洋子脚本 1961 年 東映)は、「李承晩ライン」を舞台に、日本漁船で操業する在日韓国人青年の葛藤を描いた作品である。この作品は、日本と朝鮮半島のはざまで生きざるをえない「在日」のアイデンティティーの問題を先駆的にとらえた作品だといえ、現在、高く評価されている。本稿では、『あれは港の灯だ』の脚本を執筆した水木洋子に着目し、映画の製作過程の一端を明らかにした。 | |||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | The movie "Are ga minato no hi da (That is the port light)" was open to the public in 1962. The supervisor of this movie was Tadashi Imai, and the scenario was written by Yoko Mizuki . This movie is a work that described the conflict of the young person of Korean residents in Japan who operates with a Japanese fishing boat near the "Rhee Sing Man Line". It can be said that this work is a work that catches the problem of the identity of "Korean residents in Japan" , and is being evaluated high now. In this text, it paid attention to Yoko Mizuki who wrote the scenario of "Are ga minato no hi da (That is the port light)", and a part of the film-making process was clarified. | |||||
書誌情報 | 号 29, p. 95-107, 発行日 2008-03-31 | |||||
表示順 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 10 | |||||
アクセション番号 | ||||||
内容記述タイプ | Other | |||||
内容記述 | KJ00005656159 |