@article{oai:shohoku.repo.nii.ac.jp:00000697,
 author = {内藤, 寿子 and Naitou, Hisako},
 issue = {29},
 month = {Mar},
 note = {映画『あれは港の灯だ』(今井正監督 水木洋子脚本 1961 年 東映)は、「李承晩ライン」を舞台に、日本漁船で操業する在日韓国人青年の葛藤を描いた作品である。この作品は、日本と朝鮮半島のはざまで生きざるをえない「在日」のアイデンティティーの問題を先駆的にとらえた作品だといえ、現在、高く評価されている。本稿では、『あれは港の灯だ』の脚本を執筆した水木洋子に着目し、映画の製作過程の一端を明らかにした。, The movie "Are ga minato no hi da (That is the port light)" was open to the public in 1962. The supervisor of this movie was Tadashi Imai, and the scenario was written by Yoko Mizuki . This movie is a work that described the conflict of the young person of Korean residents in Japan who operates with a Japanese fishing boat near the "Rhee Sing Man Line". It can be said that this work is a work that catches the problem of the identity of "Korean residents in Japan" , and is being evaluated high now. In this text, it paid attention to Yoko Mizuki who wrote the scenario of "Are ga minato no hi da (That is the port light)", and a part of the film-making process was clarified., 10, KJ00005656159},
 pages = {95--107},
 title = {キャクホンカ ミズキヨウコ ト エイガ アレ ガ ミナト ノ ヒ ダ},
 year = {2008},
 yomi = {ナイトウ, ヒサコ}
}